2013 in Review

I’ve had a lot of ups and downs this year, like I’m sure most of us have. But when looking back on 2013 and writing down the memories that popped up, I found myself incredibly relieved at all that I had accomplished, humbled by my peers accomplishments and grateful to my family and friends for an overwhelming amount of support gift wrapped in love.

I was a little hesitant when creating this post but I have a lot of family all over the country, and even right here in Minnesota, that I don’t get to see or even catch up with that often (something I would like to change). So I’d like to share some of my memories from this year with you.

More than last year, I played and conducted in gigs. I left my job at Psycho Suzis and went to another serving job at Icehouse for about a month before I left that job and started three jobs: By far the most job searching I’ve done in many years. But reading these things without visual aids is boring so here it is: A review of my life in 2013.

January

January “Paul B” look

January: I didn’t do much, maybe prepared for winter

February Kings game

February Kings game

February: Went back to California and got to see some old friends.

Snowy Day in Minneapolis

Recital In Progress

https://soundcloud.com/adamconrad/coffee-pot-overture

March: Came back to the cold and recorded the overture for the musical I co-wrote last year. “Coffee Pot Overture” ^

Recital In Progress

Recital In Progress

https://www.dropbox.com/s/x1iv3gehmv637d6/Conrad%20Recital.mov

March: Held the largest amount of people on stage for a senior recital (48 people). You can download the recital above ^

Tech Week for Treasure Island

Tech Week for Treasure Island

Set of Treasure Island

Set of Treasure Island

April: This was a busy month. I wrote original music to a play for the first time.

April Haricut

April Haricut

April: Cut my hair.

Panhandler Score

Panhandler Score

https://soundcloud.com/adamconrad/sets/panhandler

April: Wrote and recorded the first film score of the year “Panhandler” for local film maker Kevin Horn. Music was written for Bassoon, Clarinet, Upright bass, Violin and Piano. My favorite is number 5.

Graduation Ceremony from my seat on stage.

Graduation Ceremony from my seat on stage.

http://www.youtube.com/watch?v=8eXcHBSZDto

April: Graduated with a B.A. in Music Composition and was commencement speaker for my graduating class!^ Start watching at 22:00 for my speech.

Spaghetti @ 2 weeks

Spaghetti @ 2 weeks

May: Drove down to Iowa and picked out the dog I wanted.

My 2005 Honda Element

My 2005 Honda Element

http://www.youtube.com/watch?v=eRfPARSMM_I&feature=youtu.be

May: Drove to Wisconsin with Ben to pick up my first car in 9 years! Here’s Ben and I in the car on the way there ^

Bowling League

Bowling League

May: Joined a bowling league and bought a bowling ball.

Setting up for Northern Spark Festival

Setting up for Northern Spark Festival

Ben and I in front of "Gossip Orchestra" crowd.

Ben and I in front of “Gossip Orchestra” crowd.

"Gossip Orchestra" jammin at the Northern Spark Festival

“Gossip Orchestra” jammin at the Northern Spark Festival

June: Got into a local art festival: “Northern Spark” and got asked to come back in 2014 cause it was a hit!

The first day home for Spaghetti

The first day home for Spaghetti

Spaghetti's first meal at home

Spaghetti’s first meal at home

June: Drove down to Iowa with Chelsea again to pick up my new little puppy boy, “Spaghetti”.

No beard, definitely weird.

No beard, definitely weird.

June: Shaved off my beard.

Mystery package

Mystery package

Awesome street art of Otis Redding

Awesome street art of Otis Redding

July: Received some incredible art as a gift from my cousin Brandon.

Kodiak with Spaghetti

Kodiak with Spaghetti
Miles thinks he's good looking...

Miles thinks he’s good looking…

August: My little brothers Kodiak and Miles came to visit.

1st Gen campers

1st Gen campers

Biggest catch of the trip

Biggest catch of the trip

August: Camped in the Boundary Waters for 5 nights with family.

http://www.imdb.com/title/tt3190292/

September: Scored a film by Mason Makram, “The First Date” for 12 players. It won first place in the Twin Cities Film Festival!

My girl...

My girl…

September: Celebrated 1 year with my girlfriend Chelsea Unold.

"Improvestra" at The Ritz

“Improvestra” at The Ritz

http://www.youtube.com/watch?v=A6R1P1QLXs0&feature=youtu.be

September: The supergroup improvising orchestra that I conduct, “Improvestra” was a headliner for a weekend tribute to improvising in the twin cities.

Lots of people "enjoy" running

Lots of people “enjoy” running

Chelsea and I

Chelsea and I

October: Ran my first race. 10 miles is a long way and about an hour and a half of running.

Finished Product

California redwoods and bears on my lower arm.

Paul Bunyan and Minnesota on my upper arm.

Paul Bunyan and Minnesota on my upper arm.

October: Finished my first tattoo sleeve.

Let's sell some houses in 2014!

Let’s sell some houses in 2014!

November: Got my Real Estate license and started with Keller Williams.

http://www.youtube.com/watch?v=pSOvLBALl4M

November: Raised $700 for my first flag football team and took them to the playoffs where we got crushed! Ha!

http://www.freeartsminnesota.org/

November: Got into a sponsorship with a non-profit, “Free Arts” as a mentor for young “troubled” kids.

Conducting "Coffee Pot Orchestra" for a new composition by my co-founder Bill Finn at "Potted Meet Mondays"

Conducting “Coffee Pot Orchestra” for a new composition by my co-founder Bill Finn at “Potted Meet Mondays”

"Potted Meet Mondays" is a social hang for anyone to come and enjoy live art in many mediums. We have 6 different featured artists who "perform" every month.

“Potted Meet Mondays” is a social hang for anyone to come and enjoy live art in many mediums. We have 6 different featured artists who “perform” every month.

December: Started a “not for profit” monthly residency with Bill Finn, Chelsea and Improvestra where we feature local artists and create a “hang” or open rehearsal/gallery space and donate the proceeds to different non-profits every month.

https://soundcloud.com/lifelikepodcast/episode-4-adam-conrad

December: Was featured in a Schuyler Peterson’s Podcast, “Life Like” and got to talk about everything you just read.

All in all, I wrote a bunch of music for CD’s, theater shows, and films this year and got to create a well-rounded life in Minnesota. I’m one year deeper in the snow of the midwest and hopefully one year wiser. I love all the opportunity I am blessed with in my life and most of all, I love the community created by family and friends I have surrounding me. Without them, nothing I do is worth a damn thing.

Senior Recital

Thursday, March 21st Il performed my senior recital for my school, family, and friends. This seems like an easy enough task, but like most things I do, it had to be large and grab the attention of everyone in a twenty mile radius.

My theme was collaboration and my goal was to get as many people on stage as I possibly could. I started with strings since they have the smallest sound and the coolest group sound. After I figured out about how many string players I could get, I started asking other instruments to join so that I had a nice balanced sound. Here is what I had for players:

6 First Violins
5 Second Violins
No Violas
6 Cellos
2 Contrabass’

3 Trumpets
2 Bones

3 saxophones (one of each)

Total of three drummers
Guitar
Electric bass
Rhodes
Piano

10 singers

Not all violins showed up so I had to compromise with 7 violins instead of 9.

As far as the set list goes, I performed 8 songs and one piece from Improvestra, the improv orchestra I conduct and lead. Each song, features a different person that I have collaborated with during my time at McNally Smith. I didn’t write any new tunes but instead used songs I wrote or that influenced me over my three years at the school:

Friends (Ben Kelly)
All The Way (Grandpa)
CoffeePot Scene 2 (Jay Fuchs & Ben Kelly)
Planet Earth -Amazon (Sam Sparling & Mike Holloway)
Brandy (George Krikes)
Petty Fights (Ben Kelly)
Improvestra (Billy Franklin & Chris Cunningham)
The Well (Cory Grossman & Leah Siltberg)
Coffee Pot Scene 3 (Ben Kelly)

The night was a huge success in many ways. Most songs went well with only small hiccups in “The Well” and “Petty Fights” and that day and the next we’re filled with praise and inspiration from both myself and the show. Ben and I were in sync most of the performance and I felt extremely comfortable on stage and wearing my passion for the music on my sleeve for the players and audience alike to latch on to. I felt I carried an auditorium of 230+ people on my back in a guided tour through my aesthetic experiences.

That night was filled with nothing but positivity from the people I cherish most. Yet as the next two days came and went, I felt hollow. Through my countless attempts to mask the feeling as “exhaustion” the illusion finally faded and harsh reality revealed itself to me tonight:

I work hard towards large goals, and am capable of seeing them through with help from some of the fantastic relationships I have made, because I am unhappy with something inside of myself and am somehow under the impression those goals being met will cease my unease. I cried almost uncontrollably during my performance and was ashamed when I did, as if my clout would lose merit if I were weakened to the point of tears during a creation of my own. Incredibly ironically, the only relief the performance created for me was in the creation of my own tears.

I’m not sure what invisible daemons are lying underneath this veil of ego but I am sure to continue the search for them in hopes that I can either cry uninhibited or shed the affliction of balling in front of copious amounts of people in the future.

On the positive side, both my loving girlfriend Chelsea, and the teachings of Leonard Bernstein are helping me in different ways. Chelsea doesn’t understand but leaves me alone with my thoughts while she makes an excellent dinner, and Leonard once again inspires from the grave in the form of a book and some pictures given to me by Ben’s girlfriend Xena at the conclusion of my recital. Through it all, I have the best support group of friends I can possibly ask for. I am always grateful.

Conrad Recital 2Recital Program

20130327-002940.jpg

Tattoo

My little brother saw my tattoo of Paul Bunyan and asked why I would get something that silly and large on my arm. Suffice it to say that many people have asked me that same question or something very similar.

The only answer I have for him and any others might be a little coy or cynical; what is a tattoo but a scar that we get to choose? I have many scars and each has a story attached. It is my decision to choose what memories and feelings I associate with those scars. Shouldn’t I have the right to chose my scar as well?

When I was about seven years old, my dad took me in many bike rides and on me particular ride, I hit a root coming out of the ground and protruding its way into my trail. Needless to say, I ran over it and flew into the air letting go of the large mechanical metal two wheeler that was, unknown to me doubling as a catapult. I landed on my face, but not before being slowed down by my right elbow. Still to this day, there is a scar on my right forearm from that short internship as a bird.

My point is, that its my choice to “get on the bike” again or to only remember the fall. Instead, every time I look t my arm and think of that spill, I remember my dad laughing at his view of the situation and realizing that it was only a scar and a memory. I liked riding with my dad because it meant time with him and getting stronger and better. The scar is an ugly reminder of that wonderful memory. Paul Bunyan is a beautiful scar of my incredibly lucky life as a twenty eight year old.

And to the question, “what happens when you’re eighty and your tattoo isn’t beautiful?”, I respond with, “it will be fifty two years old and only as beautiful as I am twenty eight years older.”

Today I get my next tattoo to get closer to finishing my entire right arm, a giant California redwood tree to commemorate my childhood and early development with my dad.

a.Process Finished Product

Kelsey

 

One of my closest friends, Brian Collins introduced me to a high school friend of his in 2006. She instantly lit up the room with her energy and her connectivity. She was so engaging that when we didn’t see each other again for a couple of years, I remembered her perfectly.

This last Winter (2011) I visited my dad’s house in Palo Alto, Ca and Kelsey drove down from South Lake Tahoe for the night to visit me and another friend of hers. The night was full of dancing, jokes and great food. When Sean McMahon asked me to write some music for a scene and have it played live at the McNally Smith open house, I of course accepted and analyzed the scene of two people getting to know each other in a new city. Kelsey came to mind with her passion for life and yearning for meaningfulness. This music popped into my head and came through my fingers:

http://soundcloud.com/adamconrad/kelsey-idea

After some tweaking, I came to a more secure place and found what I was looking for in a 10 bar phrase that continued onto itself. It works as a way to keep it interesting. With no cadential point, and a motif that shows up only as a bridge between the end of the phrase and the beginning of the next one, the audience is kept at a standstill and waits for the resolution. Here is the next version before it was orchestrated:

http://soundcloud.com/adamconrad/kelsey-piano-version

Finally, I orchestrated it for MIDI piano, two cellos, a viola, four violins and Ben Kelly playing upright. The rule I gave myself for this project was to simplify everything (including learning and preparation time) by only using unison and octave harmony in the strings. The result was simple and beautiful. Nothing got in the way and I learned that this technique helps make a climax very strong very quickly. By just adding ONE harmony line to the melody or accompaniment, the piece doubles in intensity. If the group crescendos it triples, and if there is a harmonic change in quadruples. Here is the final performance:

http://soundcloud.com/adamconrad/kelsey-open-house-performance

 

Image

 

The Well

The Well

Just doing a little house cleaning here and writing about some past projects. I’m not sure when exactly we recorded the score for Chris Jopp and my second collaboration but it must have been some time in September, or October. The film is about a young boy- maybe 12 or 13- figuring out the changes that are happening in and on his body. The film is named “The Well” and it is a euphemism to another deep and dark place on a woman that all men- hopefully- will experience.

Writing for this movie was a blast because it was a traditional string quartet that implored three distinct styles. The music was not- like most films- diegetic, but neither was it non-diegetic. It was intended to be played as if it were a calming mechanism for the main character. It was the personal soundtrack of they boy. When he was nervous, he used a more agitated impressionistic sound to relax him (In this case I stole a lot of material from Ravel’s string quartet, as in the case of the scene “What Well” or “Show Me”). If he was confused something more straightforward and romantic was more appropriate like the “Opening” scene where I learned from Mendelssohn’s second piano concerto, first movement (Rudolph Serkin plays it best). And finally at the end, as he relaxes from his new experiences, he enjoys a playful and fun Haydn piece. Conducting and writing this score was the easiest and most fun music yet. Chris trusted me completely and gave me full control. I could not have been happier about the way it turned out.

Before I finish I’ll say something quick about the players. David Sutton, Zachary Scanlan, Erika Burton, and Cory Grossman are an incredible group of musicians that made this score come to life. We are lost as a society when players like this are not recognized for their talents and instead replaced with celebrity entertainers who get confused as singers. I owe everything I am musically to the players I have worked with. Without people like Cory and Billy Schoenburg I never would have stayed a composer because MIDI and computers don’t excite me or give me experiences like real people. I am very lucky to have the life I have and to be able to express myself through little ants on a paper.

Above is Cory’s blog about the session.

Joel Cooper: Music and Relationships

Joel Cooper (6/12/12)

Today I got the rough cut of the teaser for “Buggin'” and worked at school (McNally Smith College of Music) on the score using mine and Ben’s themes. It is a beautiful picture and I am very excited to make some music happen in a new theater with even better musicians. If I get 5% of the films budget to do music, I will spend it ALL on musicians so that I can get great players and make music the way I think music should be made. I listened to a lot of MIDI mock-up tutorials today in hopes to find some inspiration in creating a good MIDI score for Chris and learned some great things from a composer named Nick Murray online. He taught be how to automate mod wheel and volume for strings in a totally new way. He works as a TV composer and makes a lot of tutorial videos online. He has a great demeanor and is very comprehensive.

http://nickmurraymusic.com/tutorials/

I never know if these sites are going to exist until you, my grandchildren, are alive, but I hope they are and more importantly, I hope you read this blog so as to know who I am and know what I stood for. There are a lot of things that won’t translate to your day (or language) but with a little bit of research, you will know me better and in turn, know your heritage and who you are.

I made a voice memo of my half drunken conversation with Joel partly because it was the first conversation he and I had had outside of McNally but also because I want you to hear my conversations and my daily thoughts. I want you to know that I am not an eloquent man or a very intelligent man but I am good at talking to people and finding the best they have to offer and helping them realize it. A sense of community is extremely important to me and I hope that in my life I can create a large circle of friends in all different places and still balance having a home life and a wife that I can devote my most inner self to.

I had a conversation recently with Sarah Koster as we were walking around lake Calhoun in Minneapolis the other day. She is under the belief that everyone has multiple personalities that they bring out in different situations (e.i. work, social, family, etc.) and I disagreed with her and said that I strive for one personality that is balanced in al situations. I create dam’s and floods in my personality so that I am myself in every situation. Her defense was, what can you ever give to your partner? It stumped me. Maybe I can figure this out later but it is my instinct to be me all the time and deal let situations change my reaction not my personality.

Im listening to, and have been all week, Randy Newman, “Little Criminals”

Start of Buggin’

Chris Jopp came to me recently (director of ‘The Well’ and ‘Harold Crumb’) and asked me to read a new script that Ethan Holbrook wrote. The script was called “Buggin'” and it was AWESOME! It is in the style of the 1980’s horror comedies. Gremlins and The ‘Burbs are two of the standards in this genre. This is fucking awesome so I asked my partner in crime the one and only, Ben Kelly to write it with me. This will be the first film score we have co-written and I think after Coffee Pot it will be extremely successful.

The film is about a girl and her family that move into a cul de sac. The boy next door and his best friend are interested in the pretty girl and investigate her only to find out that her parents are giant bugs that have been fattening her up to eat. A little cheezy for sure but its all in good fun.

We decided that like Beethoven’s Fifith Symphony, it should have a rhythmic motif that we can call on at any point during the score so as to really drive it home and make it a score to remember. Beyond that, we thought it should be “bug-like” and “buzzy”. Two melodies should do the trick for a 25 min film. We chose one melody that represents the bugs and the capturing of the young girl and another melody that both represents the suburbs and the love between the two main characters. Then we have the rhythmic motif and another chordal motif that plays when there is a planning attack. I posted some ideas that Ben and I have been messing around with. We thought that G minor was the best key for this type of sound and I have mainly been listening to Jerry Goldsmith and Randy Newman for the sound that will fit the movie.

Chris just filmed a kickstarter short for the film and is planning on raising $25k. I asked for 5% of that to put towards a location and players to score with. I am very excited about this project and a chance to work with my closest friends: Graham Wakeman, Dane Hoppe, Cory Grossman, Baylen Wagner, David Sutton, and my best friend Ben Kelly.